Practice and collaboration
Work with me
Photographic work for spaces, new commissions, documentary films and exhibition production.
Art placements
I place my existing photographic works in spaces and screen productions through a project-specific curatorial process. The architecture, audience and function come first; works, scale, framing, presentation, timing, licensing and project terms are then discussed for that context. A new series can be considered where the place calls for one, without turning a placement enquiry into ordinary retail acquisition.
View normal collector editions in CollectHow a placement begins
- Review the space, wall dimensions, light, sightlines, timing and presentation requirements.
- Understand the people who use or encounter the space and the role the work must play.
- Curate an existing statement work, a small group or a coherent room-to-room series; discuss a new series only when appropriate.
- Edition, format and production terms are defined per project, together with framing, delivery and licensing.
Hotels and hospitality
Boutique and design hotels, heritage hotels, resorts, villas and hotel groups: from a single statement work to smaller groups or coordinated series across rooms and public areas. Space, wall dimensions, light, timing and presentation guide the selection.
Restaurants
Fine-dining, chef-led and hotel restaurants, including entrances, dining and private rooms, bars and wine spaces. Placement responds to lighting and sightlines. The Diver at Varoulko Seaside is a documented installation context.
Corporate offices
Headquarters, reception areas, boardrooms, offices and corridors can support single works or corporate-scale sequences. Maritime and shipping, energy and international-company settings are relevant audiences, not a claimed client list.
Foundations and institutions
Museums, foundations, embassies, heritage and public-facing spaces, including libraries, research rooms and meeting environments. A permanent placement is distinct from hosting an exhibition.
Professional practices
Law, architecture, engineering, medical and consulting practices, from reception and waiting areas to consultation rooms. Selection is made with owners and designers, without promises about health or productivity outcomes.
Film and television sets
Existing works for art departments, set decorators and production designers. Background or featured placement, framing, dimensions, delivery and shooting schedule, and licensing are agreed by enquiry. The Flight Attendant is a documented placement; framed works can be prepared to suit each production’s requirements and schedule.
Photographic commissions
I create new photographic work for cultural institutions, associations, theatre and dance groups, and educational organisations when the subject and place are compatible with my visual language. These are paid organisational commissions with a defined artistic scope. Work that may enter Caryatis or another long-term personal body of research follows a separate discussion and is not promised as part of a commission.
Cultural commission in brief
- A written brief establishes the organisation, participants, purpose and intended use.
- Locations, natural or available light, timing, garments and an unstyled appearance are evaluated as part of the artistic method.
- Scouting, an overnight stay, expenses, fee, authorship, organisational usage, releases and a written agreement form the working framework.
George Tatakis × Blue Star Ferries
A photographic and editorial collaboration exploring the cultural heritage of the Aegean islands.
Explore the collaborationFilm collaborations
I collaborate with companies, cultural institutions and organisations on documentary-led films about real work, craft, process and place. Projects may combine location filming, interviews and observation in short or long edits, as standalone films or episodic work. This is not quick advertising, scripted marketing video or an influencer campaign, and it is separate from placing an existing artwork on a film set.
Approach and formats
- Documentary-style films and visual essays led by observation, process and atmosphere.
- On-location filming with interviews, observational footage or both.
- Short- or long-form edits, developed as standalone or episodic structures case by case.
Exhibition production
I supervise the production of professional photographic exhibitions and art projects in Athens with Sdralis Fine Art Printing. Sdralis is the specialist production partner, not a lab owned by me; my role is artist-led oversight from file and paper decisions through the physical presentation of the work.
Production sequence
- Project brief: works, dimensions, destination, deadline, venue and presentation requirements.
- File review for resolution, proportion, tonal range, print feasibility and technical risk.
- Paper and presentation proposal, with proofing or test prints when required.
- Final printing, then framing and finishing as a coherent body of physical works.
- Packing and shipping preparation, followed by installation readiness for delivery to the destination.
- Pricing is project-based and depends on specifications and destination; installation readiness is not a promise of on-site installation.
- For museums, galleries, curators, artists, festivals, competitions and architectural or hospitality projects—not private one-off consumer printing or framing.
Enquiry
Begin with the context
Describe the space, organisation, subject or production and the intended use. Existing international media and fashion-commission representation remains available through Contact.
Go to Contact