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Join date: Dec 21, 2022
Posts (94)
May 28, 2026 ∙ 19 min
Beyond Stocks and Bonds: How Alternative Investments and Fine-Art Photography Can Diversify a Portfolio
A thoughtful exploration of fine-art photography as a collectible alternative asset within a diversified portfolio. This article examines scarcity, provenance, liquidity, emotional value, and the role of museum-grade photographic prints alongside stocks, bonds, real estate, gold, and other alternative investments.
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May 27, 2026 ∙ 18 min
How to Collect Fine-Art Photography: A Serious Buyer’s Guide
A serious guide to collecting fine-art photography, including open editions, signed prints, limited editions, archival materials, certificates of authenticity, framing, provenance and how to choose photographs with lasting presence.
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May 26, 2026 ∙ 12 min
Is This Art? The Problem With Saying “I Could Do That”
Why do people look at abstract art, modern art, Rothko, Pollock or contemporary art and say “I could do that”? A direct essay on value, meaning, skill, intention and what we often fail to see in art.
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May 8, 2026 ∙ 8 min
Why Black-and-White Photography Works in Architectural Spaces
Black-and-white photography can support architectural spaces because it speaks through form, light, shadow, rhythm, and restraint. For hotels, offices, restaurants, and institutions, this makes it more than decoration. It becomes part of the spatial experience.
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Apr 27, 2026 ∙ 7 min
Digital vs Film Photography: I Choose Digital Every Time
Digital vs film photography is often framed as a question of intention. The common belief is that film makes you slower, more thoughtful, and ultimately a better photographer. I disagree. In this article, I argue that digital photography is not just more efficient—it is a fundamentally better system for learning, refining, and executing images. The difference is not aesthetic. It is structural. And it changes how photographers improve.
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Mar 12, 2026 ∙ 4 min
Why Large Creative Work Is Becoming Rare (Lessons from the Caryatis Photography Project)
A reflection on long-term creativity, attention in the digital age, and what ten years working on the Caryatis photography project taught me about building meaningful work.
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Mar 4, 2026 ∙ 6 min
The Architecture of a Wasted Day
You don’t need motivation. You need an interruption. Procrastination is a loop — and the exit is a stupidly small step. Video embedded + expanded essay.
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Jan 15, 2026 ∙ 15 min
The Best Cameras for Photography in 2026
Stop overthinking. Image quality has plateaued, and most cameras are "good." Here is a practical, honest breakdown of the best 2026 cameras—with the pros and cons no one else will tell you. Find your match and move on.
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Oct 29, 2025 ∙ 6 min
The Case for Boredom: Why Doing Nothing Is a Power Tool for Creativity, Clarity, and Sanity
Do nothing, do better. Why boredom matters for the brain, how to practice it daily, and the routines that turn quiet time into original work.
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Aug 24, 2025 ∙ 5 min
Signal and Noise in Corfu: Lessons From Greece’s Oldest Philharmonic
Discover Corfu’s Philharmonic through photography & story. Learn the life lesson of Signal vs Noise and explore fine-art prints from Greece.
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BLOG TERRITORIES
George Tatakis is an internationally awarded photographer and filmmaker based in Athens, Greece, known for the long-term photographic projects Caryatis and Ethos, documenting Greek culture, traditions, identity and place.
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